Previous Exhibitions

Detail, installation by Tran Luong

• Spring 2006 - Including One-of-a-Kind: Art & Artifacts from the
  Permanent Collection; Time Studies: Photographs by Mark Klett; The Workmanship of Risk; and The Gallery Has A Posse: Contemporary Sticker Art
  
  
• Fall 2005 - Including Following in the Footsteps of Our Ancestors:
  An Exhibition of Hotinonshonni Contemporary Art; Far North: Inuit Prints and Drawings from Cape Dorset; Homeland.Wonderland: Drawings by Chika Okeke-Agulu and Marcia Kure; Cloth Only Wears to Shreds: Yoruba Textiles and Photographs; Amy Hauber: Recent Work; Untold Stories of My Present, Past and Dreamtime: Prints by Melanie Yazzie
  
  
• Spring 2005 - Including Histories Are Mirrors/The Path of Conflict through Afghanistan and Iraq: Photographs by Tyler Hicks; GET YOUR WAR ON; Chenrezig Buddha of Compassion: Tibetan Buddhist Sand Mandala; Permanent/Temporary: Sharpie Drawings and Prints by Alicia Giuliani; and Incongruent: Contemporary Art from South Korea.
  
  
• Fall 2004 - Sexy Beasts: Prints by Lawrence Brose and Paintings by Michelle Dussault; Drawing the Line: Fifty Years of Cartoons from the Permanent Collection; Captive Beauty: Zoo Portraits by Frank Noelker; Mbari Houses: Photographs by Ulli Beier; Der Drache, die Jungfrau, und die Tribune/ The Dragon, the Virgin, and the Grandstand: an installation by Suse Weber und/and Ausflug/Stroll: Photographs by Jan Bleicher.
  
  
• Spring 2004 - Including LOST/FOUND: Young Min Moon and Melissa Schulenberg; The Unforgiving Pace of Progress: China's Three Gorges Dam; Visual Prayers: Sacred Tibetan Buddhist Thangka Paintings; Journey to Enlightenment: Photographs by Matthieu Ricard; Doctor's Cuts: Prints by Eric Avery; Traveling the Body: Paintings and Drawings by Kristy Collado ’04; and Peace Amidst the Roots of Turmoil: Photographs of Armenia by Aram Muksian ’04.
  
  
• Fall 2003 - Including Beggars and Choosers: Motherhood Is Not a Class Privilege in America; Lejos de Dios/Far from God;
  GENECORP©: Making the World a Better Place; STOP!
  Photographs by Harold Edgerton; and JOEL SEAH:
  GAM and Poaching Dürer’s Hare.
  
  
• Spring 2003 - Including Lines of Migration: Paintings by Kenwyn Crichlow and Obiora Udechukwu; Zalmaï: War and Peace; Signlanguage: Photographs by Viggo Mortensen; The Astonishing World of Tom Tomorrow; After the Wall: Gender and Social Relations in Post-Communist European Posters and Ephemera; and “To Whup Up On Sin”: African-American Self-Taught Art.

• Fall 2002 - Including Inside the Blue Line: Photographs by Bill McDowell; Stereo Still: 3D Photographs by Ron Labbe; Soulful Pieces: Memory Jars and Improvised Quilts by Unknown Makers; Good Will: Engravings from Boydell's Illustrations of the Dramatic Works of Shakespeare; Eddie Breen: Piggyback Art from the Murray Randle Collection; A Boy and His Agenda:
  Installation and Performance by Alexei Boulokhov '03; and Sue Coe: Ship of Fools.

• Spring 2002 - Including Out of the Woods and into the Fire: Bruce Gundersen and Jerilea Zempel; Countdown to Eternity: Photographs by Benedict J. Fernandez; Shakti: Power of the Divine Feminine in India, Photographs by Stephen P. Huyler and Selections from the Georgana Falb Foster Collection; Virgin of Guadalupe/La Guadalupana: A Community of Faith, Photographs by Mary Teresa Giancoli; and Tides of Green: South Florida's Natural Diversity, Photographs by Matt Bogosian.

• Fall 2001 - Including Letizia Battaglia: Passion, Justice, Freedom; Culture Hero: A Fanzine of Stars of the Super World - Masterprint “Jill Johnston Exposed”; The George and Helen Spelvin Folk Art Collection; and Coca-Colonization and Cultural Conservation: Globalization, Sustainable Development, and Empowerment in Nepal.

• Spring 2001 - Including Ben + Todd: Recent Works; Male Gazing: Images of White Masculinity from the Permanent Collection; Every Bead A Prayer: Thangkas by Russell Ellis; Power of Thought: The Prints of Jessie Oonark; Arctic Dreams and Nightmares: Drawings and Cartoons by Alootook Ipellie; and Inuit of the Arctic: Hunters of the Spirit, Photographs by Alison Wright.

• Fall 2000 - Including Greg Lago: Just Prints and Photographs at St. Lawrence University.

• Spring 2000 - Including Reconsidering Vietnam; The Spirit of West African Textiles; and InMidmomenT: lines.spaces.boundaries., Works by Ada Udechukwu.

• Fall 1999 - Including The Road to Roswell: UFO Pilgrimage Photographs by Bob DeBris; The Sublime and the Ridiculous: Sculptures by Max Coots; Lance Myler: He Quilts; and Reconsidering Nature: Frank Owen/Amanda Means.

• Spring 1999 - Including Visions that the Plants Gave Us; Circle of Enlightenment: Tibetan Buddhist Sand Mandala; Seven Years in Tibet: Photographs by Heinrich Harrer; and The Spirit of Tibet: Portrait of a Culture in Exile, Photographs by Alison Wright.

• Fall 1998 - Including Textures of Memory: Paintings, Drawings, and Prints by Obiora Udechukwu.

• Spring 1998 - Including WACK-O: Extreme Politics and the Poster; Creative Responses to Global Warnings; and From Litho Stone to Pentium Chip: Interpreting Gender in U.S. World War I Posters.

• Fall 1997 - Including Best in Show: Photographs from the Doris Offermann Collection; Wake Up Little Susie: Pregnancy and Power before Roe v. Wade; Caliban Press: Letterpress Books and Pamphlets, 1985 - 1997; and Graphic Television: The Prints of Mark Bennett.

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