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18

19

philanthropy in action

st. lawrence university magazine | winter 2015

estate of Lydia Theurer Pfund,

widow of Ledyard H. Pfund,

Irma Pfund’s son.

The drawings—pencil stud-

ies of human heads—were

thought to be undocumented,

for they were not known

among the lifetime works of

Remington. But Laura A.

Foster, director of the Frederic

Remington Art Museum in

Ogdensburg, New York,

1

3

5

4

2

Gunnison Memorial Chapel

Restoration Fund Grows

This fund was begun in response to requests to

help restore the chapel after

the 2013 fire

; it applies to costs above and beyond what the University’s

insurance covers. More than $59,000 has been contributed to the fund. Work

is underway, and the chapel is on schedule to reopen by Commencement 2015.

For more on the restoration, see page 17 and

www.stlawu.edu/news/one-year-

after-fire-gunnison-renovations-progressing

. For more information on the

fund:

Kim Hissong,

khissong@stlawu.edu

or 315-229-5837.

KDS Alumnae Fund Growing

Since its inception two years ago, the KDS Alumnae Fund

has received over $63,000 in gifts and an additional $12,000

in multi-year pledges.

The goal is to reach $250,000

by the

house’s 50th anniversary in 2019. KDS sisters have fully met

the dollar-for-dollar $25,000 challenge match made by

Chris Koski ’79 and Hilary Valentine ’89, allowing some

work on the chapter house to be done. For more information:

Kim Hissong,

khissong@stlawu.edu

or 315-229-5837.

Restoration of

Beta Temple Commences

With nearly $460,000 in commitments, the Beta Temple

restoration has commenced. Fundraising continues as

the

University looks to exceed the combined construction and

endowment goal of $500,000

. For more information:

John Pezdek,

jpezdek@stlawu.edu

or

315-229-5540, or Allen Splete ’60,

amsplete@yahoo.com.

To-Do List

In early October 2014, Laurentian friends gathered under the terracotta arches of the Boston Public Library’s Guastavino

Room. (Left) President William L. Fox (fourth from left) and Lynn Fox (third from left) spent some time with members

of the Laurentian Leadership Society beforehand. (Middle) Katherine Clark ’85, U.S. Representative for Massachusetts’

5th District, spoke about

St. Lawrence’s positive influence on her personal and professional growth

. (Right) Her husband,

Rodney Dowell, left, visited with Anne Marie and Wayne Clarke, parents of Victor Clarke ’18.

Laurentians Together

gift of two

drawings by

famed artist and

Canton native

Frederic Remington, plus two

letters from him to University

Trustee Ledyard Park Hale,

Class of 1876, has come to St.

Lawrence. They were given in

memory of Hale’s daughter

Irma Hale Pfund, Class of

1906. The gift came from the

by Anne Sibley ’85 and Cathy Tedford

Remington Drawings

Come Home to Canton

A

Sustainability Semester

Program Endowment Sought

The Sustainability Semester embodies St. Lawrence

University’s commitment to reflective thinking and

experiential learning. To ensure the continuance of this

important endeavor,

the University seeks to raise both on-

going operating support and $2 million in philanthropic

support

to endow the program. For more information:

Sue Regier,

sregier@stlawu.edu

or 315-229-5915.

john Meagher

Endowment Continues

to Gain Support

To ensure that students with documented disabilities and

accessibility needs continue to meet their fullest potential,

St. Lawrence seeks to raise $1 million to establish the John

Meagher Endowment Fund to

support its Office of Disability

and Accessibility Services

. Several alumni, parents and friends

have made generous commitments to this important effort, and

the fund stands at more than $362,000. For more information:

Chad Tessier,

ctessier@stlawu.edu

or 315-229-5519.

determined that both “Major

Ben Searles” and “Englishman”

appeared in Remington’s book

John Ermine of the Yellowstone

,

first published in 1902.

According to Remington

authority Tyler Mongerson,

president of the Mongerson

Gallery in Chicago, “While

one pleasure from in-depth

study of Remington’s work

derives from the variety of his

subjects as seen with his fine

portrait, ‘Englishman,’ (right)

nothing compares to his sig-

nature treatment of the white

man in the West as demon-

strated by his rendering of

‘Major Ben Searles.’ Reming-

ton exceeds mere representa-

tion by presenting his deep

admiration for (Searles’s) rug-

ged temperament, a necessary

trait to thrive in the West.”

n

left Photos by: whit haynes '10